Zeitgeist Early Music Festival: Pauline Oliveros
April 4 - April 7
Zeitgeist’s 9th Annual Early Music Festival explores the powerful contributions of our musical pioneers with a celebration of composer Pauline Oliveros. From the 1960’s until her death in 2016, Oliveros influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual.
Thursday, April 4
7:30 p.m. Vocal works by Oliveros
Friday, April 5
7:30 p.m. The Well and the Gentle, Thirteen Changes, and Listening for Pauline and IONE, a new work by Viv Corringham in recognition of Oliveros
Saturday, April 6
3:30 p.m. Early Music Workshop: Deep Listening with Viv Corringham
5:30 p.m. Screening of Oliveros’s opera Io and Her and the Trouble with Him
7:30 p.m. The Earthworm Also Sings: A Deep Listening Event
Sunday, April 7
2:00 p.m. Chamber music by Oliveros
PAULINE OLIVEROS (1932-2016) was a senior figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. In the ’50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. Awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros was Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College. Oliveros was been as interested in finding new sounds as in finding new uses for old ones — her primary instrument was the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approached in much the same way that a Zen musician might approach the Japanese shakuhachi. Pauline Oliveros’ life as a composer, performer and humanitarian was about opening her own and others’ sensibilities to the universe and facets of sounds. Since the 1960’s she influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual. Pauline Oliveros is the founder of “Deep Listening,” which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. Pauline Oliveros described Deep Listening as “a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one’s own thoughts as well as musical sounds. Deep Listening is my life practice,” she explains, simply. Oliveros founded the Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer.